PS 4-24-16 *Time, *Music, Cures

*First a few comments:

Last Sunday and today really didn’t feel like “Sunday” and I’m still feeling as though from mid-Saturday through Sunday, has been around 4-days long.

These last few weeks have been going really fast for me. I’m sensing that the month of “April” is also moving by much faster than it’s supposed to.

For the last 2-or 3-days, I’ve been wrestling with “music technology”. Since the Drum Track, in our “Time Machine” song, is finished, I thought the underlying melody-harmony Track would be fairly simple. It is but because Sylvia let me sculpt the sound, it meant having to work with 3 synthesizers and the technology which interconnects them.

Initially, I selected a sound in our Roland JP-08 synthesizer as the beginning of the actual sound. I then setup our Roland System-1m synthesizer to have more of the “after sound”, as the key on the keyboard is held down. (You CAN hear the “beginning” (the “Attack”), “middle” (the “Sustain”) and “end” (the “Release”) of the sound from each synthesizer. It’s just that the “dominate” part of the sound can be heard in 1 synth and then the other. Because these synths don’t have keyboards, I used our Roland SH-201’s keyboard to play the notes.

Even though the sound was good, I kept hearing a bell-like “tinkling” in the middle of that sound (in my mind).

Although I did try to create a “tinkling” sound within the SH-201, it just didn’t match what was in my mind. So I fired-up our Novation UltraNova synthesizer. It has a Preset sound that’s close. So I tweaked it a bit. I then set its Timing (“Envelope”) to not begin sounding when I play a note on the keyboard. By doing this, the “tinkling” sound comes-in shortly after a key is pressed on the keyboard and places that sound in the middle (during the “Sustain”) of the note. So now we have a “sound” which “primarily” has a beginning, middle and end coming from 3 different synthesizers.

  • Note: Because the UltraNova is so powerful, it’s possible that this synthesizer, by itself, could create all 3 of those sounds with the press of 1-key. However, its way of “thinking” is a bit different from what I’m used to and I haven’t put enough Time into it, to accomplish this quickly.

This particular Patch (sound) creates a very interesting, rich and moving sound.Because of the character of this sound, I don’t have to play Sylvia’s massive 10-finger chords, which I can’t do. Today, Sylvia mentioned that she wrote this song with a “simple” melody-line. Although it took me a while to put the pieces of this particular Stream together, that’s what I now see happening.

Once the “technology” was under control, I started recording some notes, to see if that’s what Sylvia had in-mind. So this Track is not done yet.

Here’s the link to the “Roland JP-08”:

Here’s the link to the “Roland System-1m”:

Here’s the link to the “Novation UltraNova”:


This 14-minute video is of Gregg Braden, who’s giving a presentation in Italy. One of the main things he shows is how cancer can be cured in 3-minutes. There are no drugs or “medical practices” of any kind used. The patient is awake the entire time.

I started to not include this but Sylvia is suggesting we insert this energy into tonight’s Posting, in order to keep this “all things ARE possible” and “think outside the box” ideas within the toolbox of everyone.

As I mentioned in previous Postings, I cured Sylvia’s cancer with “Barley Grass Powder” and “high-alkaline water” (9.5PH made by “Essentia”). I also mentioned that Sylvia told me she had to leave, because of a “Higher Purpose”, and made me stop giving her this cure.

Since then, I’ve learned about several different ideas for curing cancer. I’ve also been learning, even more than I previously realized, that “we have all been lied to”… for eons!

Remember “pie’s the limit”.

  • A few decades ago, I figured out that the saying: “The sky’s the limit” is not true. So I came up with “Pie’s the limit”. Why? Because the “sky” is only the limit for the boundary of the Earth. Beyond the “sky” there is no limit. However, when eating a meal, “typically”, the last (or “meal limit) Course we eat is the dessert. “Pie” is a “dessert”. So “the dessert is the limit”.

Anyway, it’s just another way to “think outside the box”.

Question everything.

Here’s the link:

PS 4-10-16 *Music, Challenges

*First a comment:

Sylvia and I have continued working on our “Time Machine” song, almost every day, over the last week or so. I’ve now done 49 “Takes” (re-recordings) of various parts… but almost all of them were “drum” parts.

I’m now at the point where I can play the entire drum part and remember how each section changes just before the song gets there. I still make mistakes and I still need to “audio clues” that I created but we’re just about down to fine-tuning some of the drum-fills and practicing the drum parts until they’re perfect.

  • The “audio clues” I made are short, fairly high-pitched drum “blips”, which I’ve placed near a song change that I want to be aware of. This is then played in my headphones and not recorded with the drums that I’m playing for that part but on a different Track. (So, 2-Tracks… 1 plays the “clue” the other records my live playing of my drums.)

So I no longer find myself “dragging my feet”, when it’s Time to work on “Time Machine”. The drum part is so complicated, it just overwhelmed me. Before Sylvia crossed-over, I could have been much more “mentally-ready” for this project, and that drum part. Each section of the drum part is not physically challenging. It’s the points where the “rhythm”, “tempo” and / or “drum sounds” change. THOSE are the challenging areas. Apple’s “GarageBand” software helps to a point. For example, although it allows us to change the “Tempo” (speed), it doesn’t allow us to indicate that this song moves from 4/4 to 3/4 to 4/4 to 5/4 to 4/4. This is where my “clues” help. Some of the “visual” changes on the screen, as it’s recording, help but the computer screen is BEHIND me. So I have to remember all the parts, which round, black, Drum Pads are set for which sounds and remember to switch between 2 different Bass Drum pedals… twice, during the song!

Sylvia and I have made a few “sonic” changes in the drum parts, since the last Time I included our progress. When we did this, I needed at least 2 more (than we have) electronic drums. So, I simply used the “drum technology” that we DO have to make this work…

  • On 1 of the Drum Pads (electronic striking surface, like a real drum), I told its “drum brain” to use 2 different sounds. In this case, it’s a “Wood Block” and a high-pitched “cymbal”, which sounds similar to an “Orchestra Triangle”. I also adjusted the settings so the Wood Block is only heard when I hit that Pad with soft-to-medium force but not to produce that sound when I hit that Pad harder. I then set the harder drum-strike, so only the Triangle sound is heard but not the Wood Block.
  • So, although 1 Drum Pad can be used as “2”, I have to be careful of how much force I use to strike that particular Pad.


I’m including this as ‘extra credit’. It doesn’t apply to my quest of “when” My Sylvia and I will be together again and it isn’t necessarily what I would consider “bonus” information (which is something “I” feel you may want to know about, in regard to the current world we live in)

Although you may get something out of the information on the linked page below, this is more of a message to “me” and how anyone can read the Signs around them if they simply open their mind and pay attention to their immediate environment.

  • On Saturday, while Sylvia and I were working in the grocery store, a guy came in. We saw him talking to an Assistant Manager. The guy looked like a Shoplifter I had verbally thrown out of the building at least twice, many months ago. I wasn’t completely sure it was him because he was now wearing a thick hat, eye-glasses and a beard. He’s been known to change his appearance but what caught my attention is something he can’t really hide… his “limp”.
  • I’m still not 100-percent sure it was the same person but it caused my mind to drop-down into the lower energies for most of yesterday and today. Not a place I want to spend my Time.
  • I used to be “security” for the entire building, which had 3 businesses in it when Sylvia and I started working there. Once the grocery store hired its own Guard, Sylvia suggested I not interfere with anything and to let the Guard and management handle those types of situations.
  • What bothered me was my “possibly” getting involved again… just because of the situation. On Saturday, that guy came in “I” was the only person in the building who “could” and “would” deal with that situation. So I kept thinking… If that guy comes in again and it’s the same type of situation in the building, “I’m” going to have to get involved. I really don’t want to do it. Even when I was pressured to take-on the building’s security, I really didn’t like turning on those Sensors (within me) and pulling-up those “how to deal with a bad situation” energies. It’s all negative energy and very draining.

So the reason I’m including the following link is because of this paragraph:

  • “This Symbol shows that there may be a temptation to take on issues, even to fight, but it needs to be with dignity and regulation. You may feel a need, or the urge, to step up to the plate and take something or someone on. There are rules to follow and often others will be end up being the judge of the final outcome. Make sure you possess the skills and training to defend what you believe. Remember that sometimes you need to back off if you’re not winning a contest. Question: are you more on the attack or on the defense?”

Although that link is to an Astrology article, I could clearly see that this paragraph was talking directly to “me”.

I’m sharing this because it’s something Sylvia and I are currently working on… and, to show others how to recognize the various Signs which sometimes float across our Path. There’s a saying:

  • “Out of the mouths of babes”

…which means, sometimes even the youngest or most un-informed person can provide you with the greatest pearl of wisdom.

  • Many years ago, Sylvia told me of just such a happening… She was taking a night class, in the “Science Of Mind” church, where she was the Music Director. The class was over and several people were mingling in a larger room. At one point, a guy, who appeared to be on drugs, walked past her carrying a “Urantia Book”.
  • Noticing that he was very much “out of it”, Sylvia was not only surprised that he actually spoke to her but his words provided her with a very helpful insight. (I don’t remember what that was but it made a big impression on Sylvia.)

Question everything.

Here’s the link to the Astrology article:

Here’s the link to the Urantia Book:

PS 3-22-16 *Patterns, *Music, *ShadowLight, Hoffman, Fulford

*First a few comments:

Many months ago, I mentioned that I noticed certain “patterns”, while at work. These were before the grocery store was remodeled and when I stood near the front door of the building.

Some say our “reality” is an illusion. Some also say this “illusion” is a holographic projection, created by a computer.

The “patterns” I’ve noticed are similar to this:

  • Maybe I would see a woman, wearing a striped blue dress. She’s carrying a red purse and has a small child by the hand. The child is a girl is wearing a hat and a pink dress.
  • (Still inside the building…) These 2 people walk out of the grocery store, down the hallway towards me and out the front door. Within 2-minutes, a different set of “Mother-daughter” Beings enter the building. These almost match the general description of the 1st 2… Tall female with a short child by the hand. Their dresses are either the same colors (and the “patterns” are different) as the previous 2 or the patterns are very close but the colors have changed. The 2nd girl is also wearing a hat but a different style of hat.
  • These groupings are so close to each other in “energy” and “character” that I have to stare for many seconds before I realize that they’re not the same people.

To “me”, the computer program that runs this illusion, for some reason, needs to keep certain patterns active within various “physical” or “energy” locations.

Now on to what happened yesterday…
Sylvia and I were sweeping the floor in the grocery store. At one point, we were at the end of an aisle when I looked up, towards the aisle itself. I saw a “pattern” but this time, both Beings were in the same location at the same Time.

I saw 2 females with the same “energy” and “character”. One was a customer and the other was an employee. I stared for several seconds and, at one point, the employee looked at me… wondering why I was staring down that aisle and why I had a strange look on my face. (I went back later and explained all of this to her.)

  • Think of this new “echoed pattern” as the cat that Neo saw in the 1st “Matrix” movie… BUT, the 2nd cat is seen while the 1st cat is still there. (There’s really only 1 cat but both are seen.) Think about that for a moment… a “deja vu” happening with BOTH the “original” and “repeated” elements in your line of vision at the same Time.

I’m mentioning all of this because:

  1. These “patterns” are very strange.
  2. I’ve never seen a “pattern” that was duplicated in the same space at the same Time. I felt as though the computer program couldn’t wait for 1 of them to leave that space, in order to bring-in the other. It seemed like I was looking at an echo.
  3. “IF” my observations and feelings are correct, to “me”, it means something has changed within that computer program. Maybe it can’t control as many facets as it needs to or maybe changes within the illusion (or even “outside” the illusion) are changing so fast now that it just can’t keep up.

Only Time will tell.


  • I don’t mean to bore anyone with my ramblings about our upcoming album. I include this information because 1 or 2 have asked about this and because it provides a little more insight into the inner-workings of how Sylvia and I are working through the “Veil”.

Sylvia and I started looking at our “Time Machine” song again recently. Today, I was going to re-sing the Vocal part but, before I could do that, we noticed the Tempos were not right.

A few months ago, when we last worked on this song, I had set the Introduction Tempo, in GarageBand, to 192bpm (beats per minute) but now it didn’t feel right. We worked on it for several minutes — brining adjusting its Rate from 65 to 200bpm but it still wasn’t right.

I told Sylvia: “This is supposed to be a fairly quick Section and is in 6/8. Right?” Sylvia suggested I look closer at the actual notes in the opening drum part. I moved them back-and-forth in Time (the song’s rhythm) but it still didn’t sound right. Sylvia then kept drawing my attention to “triplets”. “Yes, 6/8 has 2-groups of 3-pulses each. I get it.” She continued to emphasize “Triplet”. It took me several more minutes of moving the drum notes around to realize that she wants this Section to be “Triplets” and not a 6/8 Time Signature. There’s a difference (especially to the computer). When I finally figured out what she wanted, my “ah ha” moment was hearing 2-sets of Triplets being played within a 4/4 Time Signature.

Anyway, in order to get GarageBand to “play” what we wanted to “hear”, I had to place the drum notes in a 4/4 Triplet configuration.

  • Note: Sylvia and I are only using GarageBand’s “sounds” and “MIDI notes” to quickly construct the feeling, timing and length of this song. We want as many sounds on this album as possible to be generated by our “hardware” instruments and not from “software”. It’s the energy we want this particular album to have. (So most of the drum sounds will come from my old Roland V-Drums or Roland Octapad. (We did use Timpani and Orchestra Chimes in our “N.O.A.T.Y.” song, that we just finished, and they came from our Korg Krome keyboard… mostly because the keyboard was ON and those parts only required a few key-presses and no real drumstick work.)

The biggest thing that I learned today is my singing. I haven’t even heard this (Time Machine) song for a few months but was able to quickly pick-up the vocal melody AND I recorded 4 different “takes” without using any reference tones. I only heard the Drum Tracks playing back in the headphones while I sung the lyrics. They’re not perfect but I was amazed that I was so close to the correct pitches. I think Sylvia helped with some of my energies, when I was recoding those lines.


  • (That’s what just popped into my mind: “Shadow Light”. It sounds like a great title for a song.)

When Sylvia and I got into bed last night, it was cold (as usual). So we quickly threw the covers over our heads and just braced against the coldness. Sylvia quickly wraps herself around me and I can almost-instantly feel her warmth. This Time, while still under there, Sylvia pulled-up 1 of my memories and displayed it in my mind. This was something I had discovered several years ago…

  • Ever since our 3-weeks in hospice, I’ve slept with a light on… every night. When Sylvia is here, we have everything as dark as possible. No lights on. No ambient light seeping-in from our windows, etc. So when we go to bed, Sylvia would turn out the light and get in after I was already under the covers.
  • I don’t know why I thought of this but at some point, I decided to focus on Sylvia, while in that no-light space. I just wanted to see if I could see her energy. No matter how much I concentrated, I couldn’t. Then I decided to close my eyes and do the same thing.
  • (I realize that doesn’t make any sense but that’s how my mind works… “Why would you close your eyes if you were already in the darkest, no-light space?”)
  • Well, I don’t understand how it works but it did make a difference.
  • With the lights out, my eyes completely closed and focusing on Sylvia, “sometimes” I could see a very faint, skin-color silhouette. Usually of her hands or arms and, rarely, her face. “Sometimes”, I could also see “my” hands and arms. Typically, if there is no movement, I wouldn’t be able to distinguish the blackness of our arms from the blackness of the surrounding room.
  • Although the images were “black-on-black”, what I saw was so unbelievable (to “me”) that, many times, I had to put my fingers right on my eyes, in order to check to see if my eyelids were closed or open. (Even if they WERE open, the entire room was so completely dark that I would not be able to see anything anyway.)
  • I’ve seen the fineness of “energy particles” in the past, during low-light times but this was different. The images were no “particles”. They were “solid” but extremely faint.

Sylvia brought this up, in order to suggest that her and I begin working on this. If I can practice more and receive Sylvia’s training on this, I should be able to see her. Once I can see her, we can communicate with each other more directly… and THAT will be a HUGE breakthrough for us!

As always, your mileage may vary.


Jennifer Hoffman has some very good insights today. Here are a few of them:

  • “Any time we have big energy events a lot of disinformation and misinformation is published. In this video I talk about 3 of them, the severing of 3D timeslines (they are being expanded), and the big quantum leap which is actually a very small step forward. The key to success during this time to to not judge or criticize our past our ourselves in any way.”
  • “I have a new video uploading about some of the misinformation that is being posted now, such as 3D time lines being severed (they are actually being expanded), the world’s a mess and we won’t recover (it’s all relative to one’s perspective) and there will be a big ascension moment, a quantum leap into a new reality (interesting, since a quanta is actually the smallest amount of energy movement that can generate an expanded result). Those won’t happen but other things will.”
  • “Please be careful what you read and share now, there is a lot of negative information out there. Trust your own discernment, if it doesn’t feel right to you it isn’t right for you.”

Be sure to visit her facebook page, to view the short video.

Question everything.

Here’s the link:


This is Benjamin Fulford’s weekly report. Here are some excerpts:

  • “Something is happening around Antarctica these days that is shrouded in secrecy but is also attracting a lot of heavy hitters. The visit to Antarctica by Patriarch Kirill, the head of the Russian Orthodox Church, in February was the first sign of something unusual happening. Now this week US Presidential spokesperson Barack Obama will be visiting the Nazi South American headquarters in Bariloche, in Southern Argentina.”
  • “Just before the Obama visit, it was revealed that China has built a giant space exploration base in Southern Argentina. Following this revelation, the Argentine government reported they sank a “Chinese fishing boat,” near a restricted area off the coast of Southern Argentina. Pentagon sources say the boat was probably a Chinese spy vessel since a normal fishing vessel would have responded to Argentine warnings.”
  • “America’s top spy, James Clapper, flew to Australia last week in what Australian media reports described as a “secret visit.””
  • “In related news, this writer participated in the taping of a Japanese prime TV show due to be aired on March 31st that will show the Japanese public clear evidence of Western cabal plans to kill 90% of the world’s population. The show includes footage of the notorious Georgia Guide Stones. The show also includes a segment discussing why Princess Diana was murdered and a segment about Native American contacts with possible aliens. This appears to be the beginning of some sort of disclosure process.”
  • “Inside the US as well, the takedown of the Khazarian mafia is proceeding at an accelerating pace. For one thing, the various death threats against Republican candidate Donald Trump are being firmly dealt with by the Secret Service and other enforcement authorities. The rent a mobs being hired by George Soros are also being dealt with.”
  • “The other Khazarian mafia stronghold under attack is the widely reviled Monsanto Corporation. Their attempt to ban the labelling of GMO crops on foodstuffs has backfired, and now several major food makers, including General Mills and Campbell Soup, have promised to label GMO foods. Furthermore, the FBI is now probing the various food poisoning outbreaks that affected the Chipotle fast food chain after it announced it was going GMO free. Initial evidence is pointing to Monsanto goons as being the culprits, FBI sources say.”
  • “On a final note, Russian sources say Pope Francis is planning to make a major announcement, possibly in May, and then retire. While experience has taught us to be wary of specific dates or deadlines, it is undeniable that major world changes are taking place. The WDS, for its part, will make some sort of announcement if and when it sees the actual physical gold mentioned.”

My comments: “IF” this information is true, then we have to ask ourselves “why” and “how” can a Pope “retire”? This will be the 2nd Pope to leave office without crossing-over in the last few years. This is unheard of… which, of course, tells “me”, that we are all very close to “something” FINALLY happening!

Question everything.

Here’s the link:

PS 3-15-16 *Emerson, *Music, Nidle, WhiteHatDarkHat

*First a few comments:

Keith Emerson, one of music’s greatest keyboardists, crossed-over a few days ago. His most famous band was: “Emerson, Lake and Palmer”. Each of them is a high-accomplished musician. Sylvia and I love his music and musicianship. I bought their “Brain Salad Surgery” album, when it came out in the 70s (before meeting Sylvia). I played it for her and she was hooked.

  • I’m crying now because it’s very sad to lose another super-talent. So, yes, this touched “me” and “Sylvia”… and this is why I’m including this.

This link provides an overview of his style and a few videos of him performing:

This link explains “how” and “why” he crossed-over:

Here’s a link to the full “Brain Salad Surgery” album:

Here’s a link to “Emerson, Lake and Palmer” creating songs for the “Brain Salad Surgery” album:

I “think” Sylvia and I have finally finished working on the details of our “N.O.A.T.Y.” song. Although we started adjusting some of the “Mix”, a few days ago, we’re going to focus on that today.

What we’ve learned about Mixing is it’s difficult. At least for “us”. I mentioned previously that our songs are like our Children. Each song contains various instruments and each of them wants to be heard but we can’t simply turn-up the volume on every instrument. The song would be muddy and the Listener wouldn’t know which aspect (melody, rhythm, harmony) to focus their attention on.

Today, while adjusting the various volumes, we kept checking the overall sound through headphones and the small, but professional, music amplifier Sylvia and I bought several months ago. Whenever we heard the song through that amp, some parts were way too loud. So I adjusted the volume. Then, when listening through headphones, some parts had dropped-out. We couldn’t hear them.

At one point, I told Sylvia… just going from “direct-listening” (headphones) to “open-air” (amplifier) listening should not cause that song to change as much as it is. Sylvia then suggested we use a different cable. Of course, that was the solution. (Did I mention that “my” girl is smart?” Very smart.)

I had been using a cable which had the correct Connector on 1 end but needed an adaptor on the other. I though the Adaptor was taking the (audio) signal from “Stereo” to “Mono” but, it turns out, it wasn’t. It was a “Mono” to “Mono” Adaptor and had removed 1 of the Stereo Channels.

Anyway, our latest “N.O.A.T.Y.” song is now finished and backed-up. If anyone is interested in this song’s statistics, here are a few of them:

  • 90bpm (beats per minute)
  • 7-minutes and 33-seconds in length
  • 17-Tracks
  • Style: Orchestral / Symphonic
  • I “sing” and “talk” in this song
  • a couple of Tracks “Pan” back-and-forth (move left and right, when listening through headphones or true Stereo System)
  • File size: 503MB (megabytes)
  • The 1st part of this song that Sylvia sent me was the wash of Symphonic Strings, which runs the entire length of the song. (Some of it has been removed, so other parts could be inserted and heard.) Sylvia indicated that we will probably release just this “Streamed” String part as a song by itself. Sort of like a Bonus Track.


This Channeled message is through Sheldon Nidle. Here are some excerpts:

  • “The progress toward a mass global success moves ahead! Despite a series of procedural adjustments last week, the needed movement of funds continued. At present, the special historic bonds have been moved and accounted for. The world is ready for a new currency that is much more fairly accounted for and truly represents the real value of each nation’s economy.”
  • “You are growing in consciousness and becoming more aware of how this new realm is to formally function.”
  • “This last decade has seen the rise of a series of various enlightened groups who are on the verge of great success. This success is to put each of you on the very precipice of a new reality. This reality is to permit you to meet your off-world ancestors and to finally complete a rebellion that started over 13 millennia ago during the last days of Atlantis.”

Question everything.

Here’s the link:


I don’t know where this information comes from but “IF” it’s true, it provides a wealth of incredible feedback:

  • Intel Update
  • “The astral plane has been cleared of all Archons.”
  • “All Draco groups who have chosen not to deprogram have been removed from the galaxy”
  • “An outer-perimeter has been formed around the sector to stop groups from casually observing and to stop malevolent groups from intervening.”
  • “This planet is the last holdout of the Draco Federation and they are not giving it up easily. Over the last few days various negative groups have been running suicide missions into the sector.”
  • “A positive Atlantean group that has been in the sector for 10,000 years has deprogrammed and is ready to make contact.”
  • “Motherships are beginning to enter into the atmosphere in order to wake people up from their programmed reality. They will be cloaked during the day and uncloaked at night.”
  • “First contact protocol has been initiated and is beginning with dream time experiences.”
  • “New-born babies are being smothered in North and South Korea in order to stop the flow of psychic children who are reincarnating. The Order of the Star is intervening.”
  • “There is currently a clearing of darkhat hackers across the world.”

Question everything.

Here’s the link:

PS 3-10-16 *Music, Financial, Energy

*First a few comments:

Although a few alternative-news sites have repeated the latest “new President and new Financial Reset”, there hasn’t been any new information on either of these topics.

Sylvia and I worked on our latest song today. We spent several hours on it and ran into a couple of glitches with Apple’s GarageBand program. At one point, it changed 1 of our “audio” Regions (recorded Violin notes from our Korg Krome) into a “MIDI” Region (digital notes), which it cannot normally accomplish. We could see the converted Region and the notes but GarageBand wouldn’t play them.

  • I tried to play them only because I was curious as to what that program did.

It even added frequency modulation (a “wobble”) to the Bassoon part I recorded a few days ago.

  • This is why you must not only back-up your computer work but you must also keep “iterations” / “versions”. Each Time you find yourself about to make a major change in your song, the book you’re writing, a movie or a digital image, it’s a very good idea to train yourself to stop and save that file under a different name. Sylvia and I simply add a number to the end of the filename and just change that with each Save.
  • For the Bassoon’s “wobble”, I simply opened a previous version, Copied the Bassoon part and Pasted it into the current file.

Since we have the latest version of GarageBand, I have a feeling the problem is in our 2009 Mac Mini computer… I’m thinking it’s just not 100-percent compatible with Apple’s latest Operating System — Mac OS X 10.11, “El Capitan”.

I did a quick, troubleshooting search on the Internet but found nothing similar.

The song itself is almost finished. Besides doing the final Mix, I have to reinforce my recorded Vocals. I really don’t want to re-record them. So I’m hoping I can simply bring-up the volume in the syllables that sound faint. I also need to search through the sounds in my electronic drums, in order to find a better Cymbal sound for 1 spot. The sound I used, from the Krome, is a typical, drumset Cymbal “crash” but the sound I’m hearing in my head is a Symphonic Cymbal “crash and choke” or, even better, a Cymbal being scraped with another Cymbal or a metal stick. (I only searched within the Krome today but I think there’s a Cymbal “scape” sound in GarageBand.)


This article seems to have been released today but contains a lot of information which appeared on the Internet a few months ago. The title of this article is: “World Debt Burden Liberation Has Arrived”. Here are some excerpts:

  • “Indonesia, March 10, 2016 –The United Nations SwissIndo Board Association of International Document, Crown Council XIII-XX released the Final Act, on February 11, 2016, to provide Debt Liberation for the World…”
  • “HUMAN OBLIGATION: US $ 6,000,000 per person, from 17 years of age and with a legal identity. Students will earn a monthly basic income of US $ 600 and adults US $1200 for the rest of their lives. Each individual can begin a new life that we were meant to have.…”

Question everything.

Here’s the link:


I’m including this as ‘extra credit’. It doesn’t apply to my quest of “when” My Sylvia and I will be together again and it isn’t necessarily what I would consider “bonus” information (which is something “I” feel you may want to know about, in regard to the current world we live in)

This 3-minute video is of a 13-year old who created a free-energy device for $15.

Although there are lots of free-energy “ideas” on the Internet, I’m including this example because it shows yet another Star Being who has incarnated here at this Time, in order to bring Humanity forward.

He basically takes radio waves (energy) out of the air and converts it into electricity. Think about this. Now see the near-future, when Disclosure has been announced and we are all taking classes on the many Star Ships that are already here. Look at the fundamental properties of those “exotic” technologies and see just how simple they were to create. It’s not the “free energy” device that’s difficult to design, it’s getting our mind to bend to those thought-waves. We have all been incredibly blocked, lied-to and dumbed-down.

This 13-year old not only came here to help the Earth and Humanity but he did so in a way that would allow him to carry those necessary thought-waves with him AND within a protective-shell, which repel the Cabal’s attempts to control him. (That’s “my” description of this 13-year old. It’s not in the video.)

I’m including this to show that “free energy” is real and can be made, right now AND it doesn’t have to be expensive to produce such a device.

  • If I was describing a sci-fi movie, the audience would have already seen each of you, in a previous Life… on another planet “using” and “creating” free-energy devices with very little effort. As you read my words, asking you to dig deep within you, in order for you to see that YOU not only understand this technology but you’ve actually been involved with many such devices. Those memories are just “suppressed” by the Cabal / “dumbed-down”.
  • The audience holds their breath as you search your mind for those tiny strands of newly-awakened memories… You only begin to remember how your mind was clearer and more-aware, when you were a child and now you begin to wonder if you COULD have been dumbed-down but then your cellphone rings or you turn on the microwave and those thoughts within your very mind disappear with their built-in dumbing attributes. The audience gives a very sad sigh.
  • To “me”, THIS is where Humanity is right now. We are all on the very edge of WAKING-UP. So please pay attention… even to your smallest thoughts, feelings and “what was that” from the corner of your eye.

Question everything.

Here’s the link:

PS 3-8-16 *Music, Gaia, Energies

*First a comment:

After digging into our latest song, “N.O.A.T.Y.”, yesterday, it finally started coming-together and is now able to maintain its own identity.

  • A couple weeks ago, Sylvia suggested we work on this song next. The 1st information she sent me was a Symphonic Orchestra “wash” of sounds. This came to me through the “Stream”. (Not “Channeled”. Just “Streaming ” it from Sylvia’s personal “Grid”… [she just explained this to me. I never thought about “people” having a “Grid” before.] It’s similar to the Earth’s “Grid”, where every Being on this planet can tap into the information stored there. Lookup “Hundredth Monkey Principle”.)
  • Anyway, more pieces to this song-puzzle came to me after that… I had the lyrics. Then the Vocal melody, which I worked-out at least 2 times. Each time Sylvia and I opened that song, to work on it, the Vocal Line just didn’t feel right. Then a couple other chunks of music-information came through.
  • I was juggling song-pieces for several days and getting more and more confused as to “how” to assemble everything.

Since I knew Sylvia wanted this to be an “Orchestral” piece, there were a few guidelines I needed to stick to:

  • I needed to be sure to use only “Traditional” Orchestral instruments. This means I couldn’t use electronic instrument sounds or Traditional instrument sounds which were electronically modified.
  • She also indicated that this song has a Middle Eastern flavor to it. One of the biggest emphasis that Sylvia made, regarding the dominant “sound” within this song, is the nasal-style instruments of that region. Our Korg Krome keyboard was the best musical instrument, for this purpose, that we own. In browsing its “reedy” Orchestral sounds, I kept wanting to hear “more nasal”. I wanted to turn on 1 of our synthesizers, in order to satisfy this lack of finding the right sound. At one point, I created a new, thick, very nasal instrument in the Krome but Sylvia suggested that I keep it simple. So we decided on the Oboe. (Just to emphasize… this is not a “Middle Eastern” song. It simply has the nasal “flavor” in it.)

Anyway, this song is not quite done yet but it’s a LOT further along than it was 2-days ago. Right now, unless something else changes, this song:

  • Has 16-Tracks in GarageBand
  • Is 7-minutes long
  • and weighs in (in GarageBand) at almost 500-megabytes in filesize.
  • Has Strings, Oboe, Bassoon, Violin, Orchestral Chimes, Timpani, Gong

Although this song calls for “me” to sing it, I had a very difficult Time “figuring-out” and then “learning” the Vocal part. Typically, modern music stays within a 1-to 2-note jump, especially in Vocal melodies. This song has a 5-note jump in it! When I 1st Streamed it, there was a 6-note jump in the Vocal line but Sylvia changed that part of the melody but still left a 5-note jump.

This song is a bit haunting and the melody will stay with you for a while… or maybe it’s just because we’ve been working on it for about 2-weeks now.

As I mentioned before, I really wish we could share this with at least a few of you. It’s so boring, exciting and frustrating to not be able to share the “music” part of this journey as Sylvia and I travel through the sonic landscape of this upcoming album.

  • Also…
  • Several months ago, Sylvia mentioned that “I” am the feedback I’ve been looking for… as to “when” something is going to FINALLY happen. One very big piece of feedback is the work we’re doing on this album. I think it was 2014 when Sylvia started pushing us to buy some extra music gear, in order to create this album. However, even though I Love nothing more than to be with My Sylvia… working on OUR music TOGETHER, there have been MANY days and weeks when I just couldn’t find the motivation to do much of anything.
  • Then, in the last couple of months, we’ve been doing a LOT of work on this album. Once this song is finished, it will mean 19-minutes of music will be completed… and that doesn’t count the “Time Machine” song, which, I think, is almost finished. I just have to learn the Vocal part.
  • (I was thinking about this today… Working on the Vocals in the N.O.A.T.Y. song may have helped me understand how to pull-up my “Singing Voice” for the Time Machine song. We’ll see.)


This is “Gaia Portal’s” message for today:

  • “Force lines collapse for hu-manity.”
  • “Creation storms blanket the unawakened.”
  • “Masters of true abundance are recognized, and followed.”
  • “Phasings of illumined align.”

Question everything.

Here’s the link:


The following helpful information was Posted today by LightLover. Here are some excerpts:

  • “All are being called into service as the most intense Source Energies up to Now are affecting all of Creation and all grids within it.”
  • “Incoming Source Energies are amplifying and are affecting all grids, increasing HUGELY as the effects of the FULL Solar Eclipse are beginning to be intensely felt by the collective.”
  • “…This is due to 4d ascension/descension timelines collapsing as we continue to work our way UP as a collective from the lower dimensions.”
  • “Memories of “past” alien invasions are being manipulated by the negative alien agenda to keep the separation of timelines from occurring.”
  • “DISCERNMENT at this time is of the upmost importance.”
  • “The Second wave of volunteers are being activated in this massive portal as they begin to step in and do what they came here to do.”
  • “This is the year of physical embodiment, up until now we have been anchoring energies.This is physical manifestation of all the energetic work done for thousands of years.”

Question everything.

Here’s the link: